“Liberation, Degeneration, and Transcendence(?): The Promise and Paradox of the ‘New Woman’ in Edna Ferber’s Dawn O’Hara, The Girl Who Laughed and Dorothy Parker’s ‘Big Blonde.’” Women’s Studies, vol. 45, no. 3, 2016, pp. 230-50.
“In Plain Sight: Strictly Dynamite, Modern Comedy, and the Hidden Legacy of Henri Bergson.” The Explicator, vol. 73, no. 4, 2015, pp. 320-4.
“Walking the Line: Expanding Horizons and Creating Opportunity at Florida SouthWestern State College.” Co-author with Maria J. Cahill. Sustaining English Programs in the Twenty-First Century, special issue of South Atlantic Review, vol. 78, no. 1-2, 2015, pp. 152-71.
“Changing Buttons: Mainstream Culture in F. Scott Fitzgerald’s ‘The Curious Case of Benjamin Button’ and the 2008 Film Adaptation.” The F. Scott Fitzgerald Review, vol. 10, no. 1, 2012, pp. 130-52.
"From the Round Table to the Silver Screen: Popular Modernism and the Neglected Legacy of Edna Ferber." The Edinburgh Companion to Popular Modernisms. Ed. Paul Peppis. Edinburgh University Press.
Under contract, Forthcoming 2026.
“The Enemy Within: Max Brooks’ World War Z and the Terror of Living Death.” Terror in Global Narrative: The Aesthetics and Representation of 9/11 in the Age of Late-Late Capitalism, edited by George Fragopoulos and Liliana M. Naydan, Palgrave Macmillan, 2016, pp. 19-36.
“Organic Space and Time: Using Henri Bergson to Explain Nick Adams’ Intuition of the World in ‘Big Two-Hearted River.’” Teaching Hemingway and the Natural World, edited by Kevin Maier and Mark Ott, Kent State UP, 2018.